Joel MeyerowitzTuscany, Hillside, 19961996
1996
About the Item
- Creator:Joel Meyerowitz (1938, American)
- Creation Year:1996
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Medium:
- Period:
- Condition:excellent. these have been stored in a box with tissue guard.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210460162
Joel Meyerowitz
Joel Meyerowitz was born in New York City and began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.
As an early advocate of color photography (the mid-60s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance. Meyerowitz’s first book, Cape Light (1978), is a much-beloved classic of color photography and has sold more than 150,000 copies. And in Wild Flowers (1983), he also demonstrated a comic appreciation for the blending of nature and artifice on ordinary city streets. He later turned his attention to portraits (Redheads, 1991), and landscape (Tuscany: Inside the Light, 2003). More recently, Meyerowitz has spent three years capturing wild areas in New York City's parks. Selections from the project were exhibited at the Museum of the City of New York (2009–10), and they have been published in Legacy: The Preservation of Wilderness in New York City Parks (Aperture, 2009).
Meyerowitz was the only photographer to be given unimpeded access to Ground Zero in the wake of 9/11. The images he captured have formed the foundation of a major national archive, and an exhibition of selected images has travelled to more than 200 cities in 60 countries. Throughout his career, Meyerowitz has since produced over a dozen books, and a full survey of his career was published by Phaidon in 2010. Additionally, in 1998 he produced and directed his first film, Pop, an intimate diary of a three-week road trip made with his son, Sasha, and his aging father, Hy.
Among Meyerowitz’s first important exhibitions were those at the George Eastman House, Rochester, in 1966, and My European Trip at the Museum of Modern Art, New York, in 1968. He represented the United States at the Venice Biennale for Architecture in 2002, and he has been the recipient of over a dozen awards, including the Guggenheim Fellowship and the Deutscher Fotobuchpreis. His work can be found in many major public collections, including the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Whitney Museum of American Art, New York.
Find original Joel Meyerowitz photography on 1stDibs.
(Biography provided by Century Design Ltd.)
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Vintage Color Photograph Kadishman Sculpture Jerusalem Museum Marc Riboud PhotoBy Marc RiboudLocated in Surfside, FLThis is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph f...Category
1960s Modern Color Photography
MaterialsPhotographic Paper, C Print, Color
- Vintage C Print "Of Time and Change" Boulders on a Sea ShoreBy Sonja BullatyLocated in Surfside, FL1981, Chromogenic Print. It is supposed to be signed lower right recto but has not been examined out of frame. Provenance: Bernice Steinbaum Gallery, New York; ARCO Chemical Company, Newtown Square, PA. Sonja Bullaty (October 17, 1923 - October 5, 2000) was a Jewish American photographer. Bullaty is known for her "lyrical composition" and strong use of color during her fifty-year collaboration with her husband, Angelo Lomeo. Bullaty and Lomeo's photographs appeared in LIFE, Time and Audubon magazines and journal.They have both exhibited at the Metropolitan Museum of Art, the International Center of Photography, the George Eastman House, UMPRUM Museum in Prague, in the Nikon House galleries and other venues. Bullaty was born in Prague to a Jewish banking family. Her family gave her a camera when she turned fourteen. Since Bullaty had been forced to leave school at the time, the camera was a "consolation gift." When Bullaty was eighteen, she was deported by the Nazis to Poland, where she was kept in the Lodz ghetto, and then later taken to Auschwitz and Gross-Rosen concentration camps. During a death march near Dresden, she and a friend successfully hid in a barn and were able to escape and return to Prague. When she got back to her home city, she discovered that no one else in her family had survived the Holocaust. Bullaty, "her head shaved," saw and answered an advertisement to be the helper to Czech photographer, Josef Sudek. As his assistant, she mixed chemicals for the darkroom, organized his negatives and learned from his sense of composition.[1] Sudek called her his "apprentice-martyr." Sudek's work often focused on the Czech landscape and windows, such as in the series The Windows of My Studio (1940-1954). Bullaty also photographed windows, but unlike Sudek, who photographed his own windows looking out, Bullaty photographed windows looking into buildings. Bullaty published a book, Sudek (1978), about her mentor, and it was the first publication of his work in the West. Bullaty found work with a photographer on her third day in New York. Also in 1947, she met Angelo Lomeo. They were brought together when she was inquiring about a darkroom in a building he managed. Lomeo was intrigued by Bullaty's accent and went to see her. They started photographing together a year later, traveling and sharing resources; during their time together, they became close. Bullaty and Lomeo were married in 1951. Later, when she was married, she and her husband would visit Sudek and bring him photography supplies. They visited him in Czechoslovakia "almost yearly." In 1971, she helped mount an exhibition of Sudek's work in New York. As photographers, Bullaty and Lomeo started using studio cameras...Category
1980s American Modern Color Photography
MaterialsPhotographic Paper, C Print
- Kenneth Snelson Vintage C-Print Panoramic Photograph of Paris Chromogenic PhotoLocated in Surfside, FLKenneth Snelson (American, 1927-2016). Photograph depicting a panorama of the Seine river and bridges in Paris, France Hand signed, dated 1985, numbe...Category
1980s Contemporary Color Photography
MaterialsPhotographic Paper, C Print
- A Yard, Mezilles Burgundy France. Field Of Flowers 1986 Vintage Color PhotographBy Frank GohlkeLocated in Surfside, FLSize is without frame. French Burgundy wine country farmhouse yard scene with flowers. Frank Gohlke (born April 3, 1942) is an American landscape photographer. He has been awarded ...Category
1980s American Modern Color Photography
MaterialsC Print, Color
- Vintage C-Print Abstract Color Aerial Landscape Photograph Alex MacLeanBy Alex MacLeanLocated in Surfside, FLThis is an aerial view photograph. As an aerial photographer, MacLean aims to portray the history and evolution of the land from vast agricultural patterns to city grids, recording changes brought about by human intervention and natural processes. Alex S. MacLean (born 1947) is an American photographic artist who is best known for his aerial photographs. His photographs have portrayed the history and evolution of the land from vast agricultural patterns to city grids, recording changes brought about by human intervention and natural processes. MacLean graduated from Harvard College...Category
20th Century American Modern Color Photography
MaterialsPhotographic Paper, C Print
- Front Entry, (Forest), Large Scale CibachromeBy Ellen BrooksLocated in Surfside, FLEllen Brooks (born February 3, 1946) is an American photographer. She began her career on the West Coast, and is associated with the Los Angeles-based art community of the late 1960s and ‘70s. In 1982 she moved to New York, where her practice has since been based. Her work is known for its boundary-pushing forays into sculpture, and for her use of screens and image altering pro-filmic photographic processes. She has shown at the Museum of Modern Art (MOMA), the Whitney Museum of American Art, the Los Angeles Museum of Contemporary Art, and the Centre Pompidou, and has worked in the permanent collections of the MOMA, the Whitney, the National Museum of American Art, the Getty Museum, and others. Biography Ellen Brooks was born in Los Angeles, California. She received both her Bachelor’s degree and her Master’s degree in Fine Arts from the University of California, Los Angeles, in 1968 and 1971 respectively. Her early works dealt primarily with human figures, notably Beach Piece, an early work in which she employed the photographic medium to address issues of alienation versus bodily presence in space. The work, which featured larger-than-lifesize nude figures in various poses of recline, was installed on Venice Beach, from which the figures appeared to half-emerge from the sand. During her graduate studies she constructed a series of flats [Flats 1–5] which were shown at the Museum of Modern Art in the 1970 exhibition Photography Into Sculpture. The flats addressed similar issues of scale to Beach Piece from the opposite direction, incorporating the viewer’s vantage point from above to obfuscate the objects’ situation in space. Following her MFA she moved to San Francisco, where her use of the photograph continued a progression of investigations of scale and installation. Her next major work, Adolescent Piece, also used nude bodies. The work would subsequently be refabricated and reinstalled in several different forms at different scales over the next four decades, at University of Las Vegas, San Francisco Art Institute, and at the Los Angeles Institute of Contemporary Art. Its most recent iteration, at MOCA in 2011, employed the original process of 1976, using Xerox transfers from photographic contact sheets. This installation “constituted a ‘fourth generation’ of the photographs,” according to the artist. “The first generation was the negative; the second, the eight-by-10-inch contact sheet, the third, the machine copy of the contact sheet onto wax paper, and the fourth, the images glued onto the gallery walls.” The work garnered significant attention during several of its stagings, due to the relative unguardedness of its young, unclothed subjects, all between the ages of ten and fifteen. Tableaux In the late ‘70s and into the 1980s, Brooks worked on an extended series called Tableaux. Like the earlier flats, the Tableaux used the reduced scale of maquettes to stage film still-esque scenes of domestic interiors and dilemmas, often incorporating disarray or ambiguous circumstances within their three walls. Created using miniature...Category
Late 20th Century Modern Color Photography
MaterialsC Print
- Palazzo del Quirinale Salone dei CorazzieriBy Massimo ListriLocated in New York, NYPalazzo del Quirinale Salone dei Corazzieri 2015 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 ...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsC Print
- Biblioteca di Mafra I PortogalloBy Massimo ListriLocated in New York, NYBiblioteca di Mafra I Portogallo, 2015 C-print Signed, numbered and dated on verso 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsC Print
- New York City, after George Bellows (Pictures of Magazines 2)Located in New York, NYNew York City, after George Bellows (Pictures of Magazines 2)Category
21st Century and Contemporary Landscape Photography
MaterialsC Print
- Trittico (triptych)By Massimo ListriLocated in New York, NYTrittico (triptych), 2017 Chromogenic C Print 180 x 365 cm Edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to c...Category
2010s Contemporary Color Photography
MaterialsC Print
- Palazzo del Quirinale Cofee HouseBy Massimo ListriLocated in New York, NYPalazzo del Quirinale Cofee House 2015 C print Signed, numbered, and dated on verso label 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition ...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsC Print
- Musei Vaticani - Sala delle Muse, RomeBy Massimo ListriLocated in New York, NYMusei Vaticani - Sala delle Muse, Rome, 2014 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsC Print